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Submissions from 2023

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Robert Heller’s Magical Mystery Tours, Jessie Fillerup

Submissions from 2022

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Introducing movement and embodied meditation into the classroom and applied studio, Jennifer Cable

Submissions from 2014

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Composing after the Italian Manner: The English Cantata 1700-1710, Jennifer Cable

Submissions from 2013

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Louis Armstrong, Gene H. Anderson

Submissions from 2012

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How a thrown shooe became a tragedy and other funny stories: A Study of the Three Burlesque Cantatas (1741) by Henry Carey (1689–1743), Jennifer Cable

Submissions from 2008

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Leadership through Laughter: How Henry Carey Reinvented English Music and Song, Jennifer Cable

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The Composing of "Musick" in the English Language: The Development of the English Cantata, 1700-1750, Jennifer Cable

Submissions from 2007

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Jazz on the River by William Howland Kenney (Book Review), Gene H. Anderson

Submissions from 2006

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Convergence and Divergence in Peter Mennin's Canzona, Gene H. Anderson

Submissions from 2003

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The Origin of Armstrong's Hot Fives and Hot Sevens, Gene H. Anderson

Submissions from 2000

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Stride! Fats, Jimmy, Lion, Lamb, and All the Other Ticklers by John L. Fell and Terkild Vinding, Giant Strides: The Legacy of Dick Wellstood by Edward Meyer (Book Reviews), Gene H. Anderson

Submissions from 1996

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Blues for You Johnny: Johnny Dodds and His "Wild Man Blues" Recordings of 1927 and 1938, Gene H. Anderson

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From Jazz to Swing: African-American Jazz Musicians and Their Music, 1890-1935 by Thomas Hennessey (Book Review), Gene H. Anderson

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The Triumph of Timelessness Over Time in Hindemith's "Turandot Scherzo" from the Symphonic Metamorphosis of Themes by Carl Maria von Weber, Gene H. Anderson

Submissions from 1994

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Musical Metamorphoses in Hindemith's "March" from the Symphonic Metamorphosis of Themes by Carl Maria von Weber, Gene H. Anderson

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The Genesis of King Oliver's Creole Jazz Band, Gene H. Anderson