Submissions from 2023
Robert Heller’s Magical Mystery Tours, Jessie Fillerup
Submissions from 2022
Introducing movement and embodied meditation into the classroom and applied studio, Jennifer Cable
Submissions from 2014
Composing after the Italian Manner: The English Cantata 1700-1710, Jennifer Cable
Submissions from 2013
Louis Armstrong, Gene H. Anderson
Submissions from 2012
How a thrown shooe became a tragedy and other funny stories: A Study of the Three Burlesque Cantatas (1741) by Henry Carey (1689–1743), Jennifer Cable
Submissions from 2008
Leadership through Laughter: How Henry Carey Reinvented English Music and Song, Jennifer Cable
The Composing of "Musick" in the English Language: The Development of the English Cantata, 1700-1750, Jennifer Cable
Submissions from 2007
Jazz on the River by William Howland Kenney (Book Review), Gene H. Anderson
Submissions from 2006
Convergence and Divergence in Peter Mennin's Canzona, Gene H. Anderson
Submissions from 2003
The Origin of Armstrong's Hot Fives and Hot Sevens, Gene H. Anderson
Submissions from 2000
Submissions from 1996
Blues for You Johnny: Johnny Dodds and His "Wild Man Blues" Recordings of 1927 and 1938, Gene H. Anderson
From Jazz to Swing: African-American Jazz Musicians and Their Music, 1890-1935 by Thomas Hennessey (Book Review), Gene H. Anderson
The Triumph of Timelessness Over Time in Hindemith's "Turandot Scherzo" from the Symphonic Metamorphosis of Themes by Carl Maria von Weber, Gene H. Anderson
Submissions from 1994
Musical Metamorphoses in Hindemith's "March" from the Symphonic Metamorphosis of Themes by Carl Maria von Weber, Gene H. Anderson
The Genesis of King Oliver's Creole Jazz Band, Gene H. Anderson