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Submissions from 1995

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"Why don't he like my hair?": Constructing African-American Standards of Beauty in Toni Morrison's "Song of Solomon" and Zora Neale Hurston's "Their Eyes Were Watching God", Bertram D. Ashe

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"Murder and Mystery Mormon Style": Violence as Mediation in American Popular Culture, Terryl Givens

Submissions from 1994

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Seeking Polly, Pretty Polly, Poor Polly, or The Granddaughter Seeks to Remember What the Grandfathers Sought to Forget, Daryl Cumber Dance

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The Zea Mexican Dairy: 7 Sept 1926 - 7 Sept 1986. by Kamau Brathwaite (Book Review), Daryl Cumber Dance

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Various Black Virginians as Told to Daryl Cumber Dance, Daryl Cumber Dance

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Feminists Face the Job Market: Q & A (Questions & Anecdotes), Elisabeth Rose Gruner

Submissions from 1993

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Matriarchs, Doves, and Nymphos: Prevalent Images of Black, Indian, and White Women in Caribbean Literature, Daryl Cumber Dance

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Family Secrets and the Mysteries of The Moonstone, Elisabeth Rose Gruner

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Dismantling Stereotypes: Interracial Friendships in Meridian and A Mother and Two Daughters, Suzanne W. Jones

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Reading the Endings in Katherine Anne Porter's "Old Mortality", Suzanne W. Jones

Submissions from 1992

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An Interview of Paule Marshall, Daryl Cumber Dance

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"He's Long Gone": The Theme of Escape in Black Folklore and Literature, Daryl Cumber Dance

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Teasing Tales and Tit(Bit)s, Daryl Cumber Dance

Submissions from 1991

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Aristotle's Critique of Mimesis: The Romantic Prelude, Terryl Givens

Submissions from 1990

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Go Eena Kumbla: A Comparison of Erna Brodber's Jane and Louisa Will Soon Come Home and Toni Cade Bambara's The Salt Eaters, Daryl Cumber Dance

Submissions from 1989

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Afro-American Studies, Daryl Cumber Dance

Submissions from 1988

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"Learn It to the Younguns": Passing on Folk Wisdom, Daryl Cumber Dance

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You Can't Go Home Again: James Baldwin and the South, Daryl Cumber Dance

Submissions from 1987

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City Folks in Hoot Owl Holler: Narrative Strategy in Lee Smith's Oral History, Suzanne W. Jones

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Place, Perception, and Identity in The Awakening, Suzanne W. Jones

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The Miller-Matisse Connection: A Matter of Aesthetics, Suzanne W. Jones

Submissions from 1984

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Bosom Buddies and Lonely Hearts, Daryl Cumber Dance

Submissions from 1983

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Zora Neale Hurston, Daryl Cumber Dance

Submissions from 1980

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"Aunt Sue's Stories": The Use of Folklore in the Teaching of Literature, Daryl Cumber Dance

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Jamaica Novel Has Ring of Truth. The Harder They Come by Michael Thelwell (Book Review), Daryl Cumber Dance

Submissions from 1979

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Black Eve or Madonna? A Study of the Antithetical Views of the Mother in Black American Literature, Daryl Cumber Dance

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Following in Zora Neale Hurston's Dust Tracks: Autobiographical Notes by the Author of Shuckin' and Jivin', Daryl Cumber Dance

Submissions from 1978

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James Baldwin, Daryl Cumber Dance

Submissions from 1977

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In the Beginning: A New View of Black American Etiological Tales, Daryl Cumber Dance

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Tuning in the Boiler Room and the Cotton Patch: New Directions in the Study of Afro-American Folklore, Daryl Cumber Dance

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Wit and Humor in the Slave Narratives, Daryl Cumber Dance

Submissions from 1975

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Daddy May Bring Home Some Bread, but He Don't Cut No Ice: The Economic Plight of the Father Figure in Black American Literature, Daryl Cumber Dance

Submissions from 1974

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Contemporary Militant Black Humor, Daryl Cumber Dance

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You Can't Go Home Again: James Baldwin and the South, Daryl Cumber Dance

Submissions from 1970

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Sentimentalism in Dreiser's Heroines, Carrie and Jennie, Daryl Cumber Dance