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Submissions from 2011

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Preface: Monsters and Mormons, Terryl Givens

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Book Review Panel: When Souls Had Wings: Pre-mortal Existence in Western Thought, Terryl Givens, James L. Siebach, Dana M. Pike, Jesse D. Hurlbut, and David B. Paxman

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Education, Elisabeth Rose Gruner

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Imagining Jefferson and Hemings in Paris, Suzanne W. Jones

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Inside and Outside Southern Whiteness: Film Viewing, the Frame, and the Racing of Space in Yoknapatawpha, Peter Lurie

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Trauma and Temporal Hybridity in Arundhati Roy’s The God of Small Things, Elizabeth Outka

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Repugnant Aboriginality: LeAnne Howe’s Shell Shaker and Indigenous Representation in the Age of Multiculturalism, Monika Siebert

Submissions from 2010

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Invisible Dread, from Twisted: The Dreadlock Chronicles, Bertram D. Ashe

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Post-Soul President: Dreams from My Father and the Post-Soul Aesthetic, Bertram D. Ashe

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In Pictures: US Women Combat Veterans, Laura Browder

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The Heart is a Strange Muscle, Laura Browder

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True Crime, Laura Browder

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When Mommy Goes to War (Leaving the Kids Behind), Laura Browder

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Women Home From War, Laura Browder

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Emily and Annie: Doris Lessing's and Jamaica Kincaid's Portraits of the Mothers They Remember and the Mothers That Might Have Been, Daryl Cumber Dance

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"I Going Away. I Going Home.": Austin Clarke's "Leaving this Island Place", Daryl Cumber Dance

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Playing in a New Key, in a New World: Virtual Worlds, Millennial Writers, and 3D Composition, Joe Essid

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Book of Mormon, Terryl Givens

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Latter-day Saints, Church of Jesus Christ of, Terryl Givens

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Mormon, Book of, Terryl Givens

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Mormon Worship, Terryl Givens

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Smith, Joseph, Terryl Givens

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Young, Brigham, Terryl Givens

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Telling Old Tales Newly : Intertextuality in Young Adult Fiction for Girls, Elisabeth Rose Gruner

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The Obama Effect on American Discourse about Racial Identity: Dreams from My Father (and Mother), Barack Obama's Search for Self, Suzanne W. Jones

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Writing Southern Race Relations: Stories Ellen Douglas Was Brave Enough to Tell, Suzanne W. Jones

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Faulkner's Sexualized City: Modernism, Commerce, and the (Textual) Body, Peter Lurie

Submissions from 2009

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A Birth and a Death, or Everything Important Happens on Monday, Daryl Cumber Dance

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Teach the Children: Education and Knowledge in Recent Children's Fantasy, Elisabeth Rose Gruner

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Kinds of Faulknerians, Peter Lurie

Submissions from 2008

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'Grung Tell Me Wud': An Introduction to Karl, Daryl Cumber Dance

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"Common Sense" Meets the Book of Mormon, Terryl Givens

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Black Girl in Paris: Shay Youngblood's Escape from "The Last Plantation", Suzanne W. Jones

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Tragic No More?: The Reappearance of the Racially Mixed Character, Suzanne W. Jones

Submissions from 2007

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Theorizing the Post-Soul Aesthetic: An Introduction, Bertram D. Ashe

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These - Are - The "Breaks": A Roundtable Discussion on Teaching the Post-Soul Aesthetic, Bertram D. Ashe, Crystal Anderson, Mark Anthony Neal, Evie Shockley, and Alexander Weheliye

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Constructing Black Selves: Caribbean American Narratives and the Second Generation by Lisa D. McGill (Book Review), Daryl Cumber Dance

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"I Put the Tale Back Where I Found It": Feeling the Past Through "the Warmth of the Human Voice", Daryl Cumber Dance

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Sucking Salt: Caribbean Women Writers, Migration, and Survival by Meredith M. Gadsby (Book Review), Daryl Cumber Dance

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Childhood Trauma and Its Reverberations in Bebe Moore Campbell's Your Blues Ain't Like Mine, Suzanne W. Jones

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The French Faulkner: Vision, Instrumentality, and Sanctuary's 'Lake of Ink', Peter Lurie

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Adam Smith and Poverty, Jonathan B. Wight

Submissions from 2006

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Bennett, Louise, Daryl Cumber Dance

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In Search of Nella Larsen: A Biography of the Color Line by George Hutchinson (Book Review), Daryl Cumber Dance

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Ismith Khan (1925-2002), Daryl Cumber Dance

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Jasper, John, Daryl Cumber Dance

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Who Was Cock Robin? A New Reading of Erna Brodber's Jane and Louisa Will Soon Come Home, Daryl Cumber Dance

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Mormons, Terryl Givens

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The Church of Jesus Christ of Latter-day Saints, Terryl Givens

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The Southern Family Farm as Endangered Species: Possibilities for Survival in Barbara Kingsolver's Prodigal Summer, Suzanne W. Jones

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Who Is a Southern Writer?, Suzanne W. Jones

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Atanarjuat and the Ideological Work of Contemporary Indigenous Filmmaking, Monika Siebert

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Beur Travel Writing: Tassadit Imache’s Algerie, Monika Siebert

Submissions from 2005

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Working for the Clampdown? Being Crafty at Managed Universities, Joe Essid

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Joseph Smith: Prophecy, Process, and Plentitude, Terryl Givens

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Short Fiction by Women in the Victorian Literature Survey, Elisabeth Rose Gruner

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Interracial Love, Virginians' Lies, and Donald McCaig's Jacob's Ladder, Suzanne W. Jones

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Crossing the Great Divides: Selfridges, Modernity, and the Commodified Authentic, Elizabeth Outka

Submissions from 2004

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A Conversation with Velma Pollard, Daryl Cumber Dance

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The "Beyondness of Things" in The Buccaneers: Vernon Lee's Influence on Edith Wharton's Sense of Places, Suzanne W. Jones

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Cultural-Studies Criticism, Peter Lurie

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Querying the Modernist Canon: Historical Consciousness and the Sexuality of Suffering in Faulkner and Hart Crane, Peter Lurie

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The Late Modernism of Cormac McCarthy (review), Peter Lurie and Mark A. Eaton

Submissions from 2003

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Saving "Cinderella": History and Story in Ashpet and Ever After, Elisabeth Rose Gruner

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The Mill on the Floss, Elisabeth Rose Gruner

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Buying Time: Howards End and Commodified Nostalgia, Elizabeth Outka

Submissions from 2002

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Passing as Danzy Senna, Bertram D. Ashe and Danzy Senna

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Derek Walcott: A Caribbean Life by Bruce King (Book Review), Daryl Cumber Dance

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It's a Wrap: Digital Video and Tutor Training, Joe Essid and Dona J. Hickey

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Book Review: The Mormon Question: Polygamy and Constitutional Conflict in Nineteenth-Century America, Terryl Givens

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I'll Take My Land: Contemporary Southern Agrarians, Suzanne W. Jones

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Race Relations, Suzanne W. Jones

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Screening Readerly Pleasures: Modernism, Melodrama, and Mass Markets in If I Forget Thee, Jerusalem, Peter Lurie

Submissions from 2001

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"Hair Drama" on the Cover of "Vibe" Magazine, Bertram D. Ashe

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"Under the Umbrella of Black Civilization": A Conversation with Reginald McKnight, Bertram D. Ashe

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"Cobwebs in the Sky": Reggio's Koyaanisqatsi as Hypertext, Joe Essid

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"This Great Modern Abomination": Orthodoxy and Heresy in American Religion, Terryl Givens

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Great Expectations, Elisabeth Rose Gruner

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Wrestling with Religion: Pullman, Pratchett, and the Uses of Story, Elisabeth Rose Gruner

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The Shop Windows Were Full of Sparkling Chains: Consumer Desire and Woolf’s Night and Day, Elizabeth Outka

Submissions from 2000

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Hard Books, Deep Reading, and Synchronous Conferences in the Humanities "Pickle Factory", Joe Essid

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"Adjectives of Mystery and Splendor": Byron and Romantic Religiousity, Terryl Givens

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Wuthering Heights, Elisabeth Rose Gruner

Submissions from 1999

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On the Jazz Musician's Love/Hate Relationship with the Audience, Bertram D. Ashe

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Born and Made: Sisters, Brothers, and the Deceased Wife's Sister Bill, Elisabeth Rose Gruner

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Refighting Old Wars: Race Relations and Masculine Conventions in Fiction by Larry Brown and Madison Smartt Bell, Suzanne W. Jones

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The Shell Seekers and Working Women Readers’ Search for Serenity, Suzanne W. Jones

Submissions from 1998

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Beryl Gilroy: A Bio-Literary Overview, Daryl Cumber Dance

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My Brother by Jamaica Kincaid (Book Review), Daryl Cumber Dance

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The Colored Girl in the Ring: A Guyanese Woman Remembers by Brenda Chester DoHarris (Book Review), Daryl Cumber Dance

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Romantic Agonies: Human Suffering and the Ethical Sublime, Terryl Givens and Anthony P. Russell

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Cinderella, Marie Antoinette, and Sara: Roles and Role Models in A Little Princess, Elisabeth Rose Gruner

Submissions from 1997

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African-American Proverbs in Context by Sw. Anand Prahlad (Book Review), Daryl Cumber Dance

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"Journey to An Expectation:" A Reflection and a Prayer, Daryl Cumber Dance

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Moore, Opal, Daryl Cumber Dance

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Plotting the Mother: Caroline Norton, Helen Huntingdon, and Isabel Vane, Elisabeth Rose Gruner

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Edith Wharton's "Secret Sensitiveness" The Decoration of Houses, and Her Fiction, Suzanne W. Jones

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New Narratives of Southern Manhood: Race, Masculinity, and Closure in Ernest Gaines's Fiction, Suzanne W. Jones

Submissions from 1996

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Notice the Mistletoe, Daryl Cumber Dance

Submissions from 1995

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"Why don't he like my hair?": Constructing African-American Standards of Beauty in Toni Morrison's "Song of Solomon" and Zora Neale Hurston's "Their Eyes Were Watching God", Bertram D. Ashe