Follow

• 

  Etruria and Anatolia Material Connections and Artistic Exchange

  Elizabeth P. Baughan and Lisa C. Pieraccini

  Striking similarities in Etruscan and Anatolian material culture reveal various forms of contact and exchange between these regions on opposite sides of the Mediterranean. This is the first comprehensive investigation of these connections, approaching both cultures as agents of artistic exchange rather than as side characters in a Greek-focused narrative. It synthesizes a wide range of material evidence from c. 800 – 300 BCE, from tomb architecture and furniture to painted vases, terracotta reliefs, and magic amulets. By identifying shared practices, common visual language, and movements of objects and artisans (from both east to west and west to east), it illuminates many varied threads of the interconnected ancient Mediterranean fabric. Rather than trying to account for the similarities with any one, overarching theory, this volume presents multiple, simultaneous modes and implications of connectivity while also recognizing the distinct local identities expressed through shared artistic and cultural traditions.

  • Opens up new and innovative ways of studying the ancient Mediterranean and the micro and macro connections between peoples, cultures and artistic traditions
  • Brings together detailed studies on a wide range of material evidence (from terracottas to banqueting equipment to jewelry)
  • Merges traditional and innovative modes for studying the Mediterranean, allowing for a broad approach to a new field of study

• 

  [Preface to] The Origins of Roman Christian Diplomacy: Constantius II and John Chrysostom as Innovators

  Walter Stevenson

  This book illuminates the origins of Roman Christian diplomacy through two case studies: Constantius II’s imperial strategy in the Red Sea; and John Chrysostom's ecclesiastical strategy in Gothia and Sasanian Persia.

  Both men have enjoyed a strong narrative tradition: Constantius as a persecuting, theological fanatic, and Chrysostom as a stubborn, naïve reformer. Yet this tradition has often masked their remarkable innovations. As part of his strategy for conquest, Constantius was forced to focus on Alexandria, demonstrating a carefully orchestrated campaign along the principal eastern trade route. Meanwhile, whilst John Chrysostom' s preaching and social reform have garnered extensive discussion, his late sermons and letters composed in exile reveal an ambitious program to establish church structures outside imperial state control.

  The book demonstrates that these two pioneers innovated a diplomacy that utilised Christianity as a tool for forging alliances with external peoples; a procedure that would later become central to Byzantine statecraft. It will appeal to all those interested in Early Christianity and late antique/medieval history.

• 

  [Introduction to] In the Flesh: Embodied Identities in Roman Elegy

  Erika Zimmerman Damer

  In the Flesh deeply engages postmodern and new materialist feminist thought in close readings of three significant poets—Propertius, Tibullus, and Ovid—writing in the early years of Rome's Augustan Principate. In their poems, they represent the flesh-and-blood body in both its integrity and vulnerability, as an index of social position along intersecting axes of sex, gender, status, and class. Erika Zimmermann Damer underscores the fluid, dynamic, and contingent nature of identities in Roman elegy, in response to a period of rapid legal, political, and social change.
  
  Recognizing this power of material flesh to shape elegiac poetry, she asserts, grants figures at the margins of this poetic discourse—mistresses, rivals, enslaved characters, overlooked members of households—their own identities, even when they do not speak. She demonstrates how the three poets create a prominent aesthetic of corporeal abjection and imperfection, associating the body as much with blood, wounds, and corporeal disintegration as with elegance, refinement, and sensuality.

• 

  [Introduction to] Language and Meter

  Dieter Gunkel and Olav Hackstein

  In Language and Meter, Dieter Gunkel and Olav Hackstein unite fifteen linguistic studies on a variety of poetic traditions, including the Homeric epics, the hieratic hymns of the Ṛgveda, the Gathas of the Avesta, early Latin and the Sabellic compositions, Germanic alliterative verse, Insular Celtic court poetry, and Tocharian metrical texts. The studies treat a broad range of topics, including the prehistory of the hexameter, the nature of Homeric formulae, the structure of Vedic verse, rhythm in the Gathas, and the relationship between Germanic and Celtic poetic traditions. The volume contributes to our understanding of the relationship between language and poetic form, and how they change over time.

• 

  [Introduction to] Sahasram Ati Srajas. Indo-Iranian and Indo-European Studies in Honor of Stephanie W. Jamison

  Dieter C. Gunkel, Joshua T. Katz, Brent Vine, and Michael Weiss

  The renowned Indologist and Indo-Europeanist Stephanie W. Jamison has now been honored with this extensive collection of essays by colleagues and students from around the world. The contributors represent a virtual who’s-who of Indo-Iranian and Indo-European scholarship and have produced contributions on everything from Vedic (e.g., Joel Brereton, George Cardona, Paul Kiparsky, Thomas Oberlies) to later Sanskrit (e.g. James Fitzgerald, Hans Henrich Hock, Ted Proferes) to Iranian (e.g. Mark Hale, P. Oktor Skjærvø) to other Indo-European languages (e.g. Dieter Gunkel, Martin Joachim Kümmel, Alan Nussbaum, Don Ringe, Michael Weiss). The volume also includes posthumously published articles by Lisi Oliver and Martin West. In all, these scholars have provided a worthy and rich tribute to a scholar whose own rich scholarship has been so vital to numerous subfields of linguistics, literary, religious, and cultural studies.

• 

  [Introduction to] Couched in Death: Klinai and Identity in Anatolia and Beyond

  Elizabeth P. Baughan

  In Couched in Death, Elizabeth P. Baughan offers the first comprehensive look at the earliest funeral couches in the ancient Mediterranean world. These sixth- and fifth-century BCE klinai from Asia Minor were inspired by specialty luxury furnishings developed in Archaic Greece for reclining at elite symposia. It was in Anatolia, however—in the dynastic cultures of Lydia and Phrygia and their neighbors—that klinai first gained prominence not as banquet furniture but as burial receptacles. For tombs, wooden couches were replaced by more permanent media cut from bedrock, carved from marble or limestone, or even cast in bronze. The rich archaeological findings of funerary klinai throughout Asia Minor raise intriguing questions about the social and symbolic meanings of this burial furniture. Why did Anatolian elites want to bury their dead on replicas of Greek furniture? Do the klinai found in Anatolian tombs represent Persian influence after the conquest of Anatolia, as previous scholarship has suggested?

  Bringing a diverse body of understudied and unpublished material together for the first time, Baughan investigates the origins and cultural significance of klinai-burial and charts the stylistic development and distribution of funerary klinai throughout Anatolia. She contends that funeral couch burials and banqueter representations in funerary art helped construct hybridized Anatolian-Persian identities in Achaemenid Anatolia, and she reassesses the origins of the custom of the reclining banquet itself, a defining feature of ancient Mediterranean civilizations. Baughan explores the relationships of Anatolian funeral couches with similar traditions in Etruria and Macedonia as well as their “afterlife” in the modern era, and her study also includes a comprehensive survey of evidence for ancient klinai in general, based on analysis of more than three hundred klinai representations on Greek vases as well as archaeological and textual sources.