Files
Read More (650 KB)
Description
While many acknowledge that Friedrich Nietzsche and Michel Foucault have redefined our notions of time and history, few recognize the crucial role that "the infinite relation" between seeing and saying (as Foucault put it) plays in their work. Gary Shapiro reveals, for the first time, the full extent of Nietzsche and Foucault's concern with the visual.
Shapiro explores the whole range of Foucault's writings on visual art, including the theory of visual resistance, the concept of the phantasm or simulacrum, and his interrogation of the relation of painting, language, and power in artists from Bosch to Warhol. Shapiro also shows through an excavation of little-known writings that the visual is a major theme in Nietzsche's thought. In addition to explaining the significance of Nietzsche's analysis of Raphael, Dürer, and Claude Lorrain, he examines the philosopher's understanding of the visual dimension of Greek theater and Wagnerian opera and offers a powerful new reading of Thus Spoke Zarathustra.
Archaeologies of Vision will be a landmark work for all scholars of visual culture as well as for those engaged with continental philosophy.
ISBN
9780226750477
Publication Date
2003
Publisher
The University of Chicago Press
City
Chicago
Keywords
Visual resistance theory, Nietzsche's thought, continental philosophy
School
School of Arts and Sciences
Department
Philosophy
Disciplines
Philosophy
Recommended Citation
Shapiro, Gary. Archaeologies of Vision: Foucault and Nietzsche on Seeing and Saying. Chicago: University of Chicago Press, 2003.
Comments
Read the introduction to the book by clicking the Download button above.