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Submissions from 2006

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Who Was Cock Robin? A New Reading of Erna Brodber's Jane and Louisa Will Soon Come Home, Daryl Cumber Dance

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Mormons, Terryl Givens

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The Church of Jesus Christ of Latter-day Saints, Terryl Givens

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The Southern Family Farm as Endangered Species: Possibilities for Survival in Barbara Kingsolver's Prodigal Summer, Suzanne W. Jones

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Who Is a Southern Writer?, Suzanne W. Jones

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Atanarjuat and the Ideological Work of Contemporary Indigenous Filmmaking, Monika Siebert

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Beur Travel Writing: Tassadit Imache’s Algerie, Monika Siebert

Submissions from 2005

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Working for the Clampdown? Being Crafty at Managed Universities, Joe Essid

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Joseph Smith: Prophecy, Process, and Plentitude, Terryl Givens

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Short Fiction by Women in the Victorian Literature Survey, Elisabeth Rose Gruner

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Interracial Love, Virginians' Lies, and Donald McCaig's Jacob's Ladder, Suzanne W. Jones

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Crossing the Great Divides: Selfridges, Modernity, and the Commodified Authentic, Elizabeth Outka

Submissions from 2004

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A Conversation with Velma Pollard, Daryl Cumber Dance

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The "Beyondness of Things" in The Buccaneers: Vernon Lee's Influence on Edith Wharton's Sense of Places, Suzanne W. Jones

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Cultural-Studies Criticism, Peter Lurie

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Querying the Modernist Canon: Historical Consciousness and the Sexuality of Suffering in Faulkner and Hart Crane, Peter Lurie

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The Late Modernism of Cormac McCarthy (review), Peter Lurie and Mark A. Eaton

Submissions from 2003

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Saving "Cinderella": History and Story in Ashpet and Ever After, Elisabeth Rose Gruner

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The Mill on the Floss, Elisabeth Rose Gruner

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Buying Time: Howards End and Commodified Nostalgia, Elizabeth Outka

Submissions from 2002

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Passing as Danzy Senna, Bertram D. Ashe and Danzy Senna

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Derek Walcott: A Caribbean Life by Bruce King (Book Review), Daryl Cumber Dance

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It's a Wrap: Digital Video and Tutor Training, Joe Essid and Dona J. Hickey

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Book Review: The Mormon Question: Polygamy and Constitutional Conflict in Nineteenth-Century America, Terryl Givens

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I'll Take My Land: Contemporary Southern Agrarians, Suzanne W. Jones

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Race Relations, Suzanne W. Jones

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Screening Readerly Pleasures: Modernism, Melodrama, and Mass Markets in If I Forget Thee, Jerusalem, Peter Lurie

Submissions from 2001

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"Hair Drama" on the Cover of "Vibe" Magazine, Bertram D. Ashe

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"Under the Umbrella of Black Civilization": A Conversation with Reginald McKnight, Bertram D. Ashe

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"Cobwebs in the Sky": Reggio's Koyaanisqatsi as Hypertext, Joe Essid

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"This Great Modern Abomination": Orthodoxy and Heresy in American Religion, Terryl Givens

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Great Expectations, Elisabeth Rose Gruner

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Wrestling with Religion: Pullman, Pratchett, and the Uses of Story, Elisabeth Rose Gruner

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The Shop Windows Were Full of Sparkling Chains: Consumer Desire and Woolf’s Night and Day, Elizabeth Outka

Submissions from 2000

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Hard Books, Deep Reading, and Synchronous Conferences in the Humanities "Pickle Factory", Joe Essid

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"Adjectives of Mystery and Splendor": Byron and Romantic Religiousity, Terryl Givens

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Wuthering Heights, Elisabeth Rose Gruner

Submissions from 1999

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On the Jazz Musician's Love/Hate Relationship with the Audience, Bertram D. Ashe

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Born and Made: Sisters, Brothers, and the Deceased Wife's Sister Bill, Elisabeth Rose Gruner

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Refighting Old Wars: Race Relations and Masculine Conventions in Fiction by Larry Brown and Madison Smartt Bell, Suzanne W. Jones

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The Shell Seekers and Working Women Readers’ Search for Serenity, Suzanne W. Jones

Submissions from 1998

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Beryl Gilroy: A Bio-Literary Overview, Daryl Cumber Dance

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My Brother by Jamaica Kincaid (Book Review), Daryl Cumber Dance

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The Colored Girl in the Ring: A Guyanese Woman Remembers by Brenda Chester DoHarris (Book Review), Daryl Cumber Dance

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Romantic Agonies: Human Suffering and the Ethical Sublime, Terryl Givens and Anthony P. Russell

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Cinderella, Marie Antoinette, and Sara: Roles and Role Models in A Little Princess, Elisabeth Rose Gruner

Submissions from 1997

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African-American Proverbs in Context by Sw. Anand Prahlad (Book Review), Daryl Cumber Dance

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"Journey to An Expectation:" A Reflection and a Prayer, Daryl Cumber Dance

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Moore, Opal, Daryl Cumber Dance

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Plotting the Mother: Caroline Norton, Helen Huntingdon, and Isabel Vane, Elisabeth Rose Gruner

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Edith Wharton's "Secret Sensitiveness" The Decoration of Houses, and Her Fiction, Suzanne W. Jones

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New Narratives of Southern Manhood: Race, Masculinity, and Closure in Ernest Gaines's Fiction, Suzanne W. Jones

Submissions from 1996

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Notice the Mistletoe, Daryl Cumber Dance

Submissions from 1995

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"Why don't he like my hair?": Constructing African-American Standards of Beauty in Toni Morrison's "Song of Solomon" and Zora Neale Hurston's "Their Eyes Were Watching God", Bertram D. Ashe

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"Murder and Mystery Mormon Style": Violence as Mediation in American Popular Culture, Terryl Givens

Submissions from 1994

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Seeking Polly, Pretty Polly, Poor Polly, or The Granddaughter Seeks to Remember What the Grandfathers Sought to Forget, Daryl Cumber Dance

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The Zea Mexican Dairy: 7 Sept 1926 - 7 Sept 1986. by Kamau Brathwaite (Book Review), Daryl Cumber Dance

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Various Black Virginians as Told to Daryl Cumber Dance, Daryl Cumber Dance

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Feminists Face the Job Market: Q & A (Questions & Anecdotes), Elisabeth Rose Gruner

Submissions from 1993

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Matriarchs, Doves, and Nymphos: Prevalent Images of Black, Indian, and White Women in Caribbean Literature, Daryl Cumber Dance

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Family Secrets and the Mysteries of The Moonstone, Elisabeth Rose Gruner

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Dismantling Stereotypes: Interracial Friendships in Meridian and A Mother and Two Daughters, Suzanne W. Jones

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Reading the Endings in Katherine Anne Porter's "Old Mortality", Suzanne W. Jones

Submissions from 1992

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An Interview of Paule Marshall, Daryl Cumber Dance

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"He's Long Gone": The Theme of Escape in Black Folklore and Literature, Daryl Cumber Dance

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Teasing Tales and Tit(Bit)s, Daryl Cumber Dance

Submissions from 1991

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Aristotle's Critique of Mimesis: The Romantic Prelude, Terryl Givens

Submissions from 1990

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Go Eena Kumbla: A Comparison of Erna Brodber's Jane and Louisa Will Soon Come Home and Toni Cade Bambara's The Salt Eaters, Daryl Cumber Dance

Submissions from 1989

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Afro-American Studies, Daryl Cumber Dance

Submissions from 1988

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"Learn It to the Younguns": Passing on Folk Wisdom, Daryl Cumber Dance

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You Can't Go Home Again: James Baldwin and the South, Daryl Cumber Dance

Submissions from 1987

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City Folks in Hoot Owl Holler: Narrative Strategy in Lee Smith's Oral History, Suzanne W. Jones

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Place, Perception, and Identity in The Awakening, Suzanne W. Jones

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The Miller-Matisse Connection: A Matter of Aesthetics, Suzanne W. Jones

Submissions from 1984

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Bosom Buddies and Lonely Hearts, Daryl Cumber Dance

Submissions from 1983

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Zora Neale Hurston, Daryl Cumber Dance

Submissions from 1980

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"Aunt Sue's Stories": The Use of Folklore in the Teaching of Literature, Daryl Cumber Dance

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Jamaica Novel Has Ring of Truth. The Harder They Come by Michael Thelwell (Book Review), Daryl Cumber Dance

Submissions from 1979

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Black Eve or Madonna? A Study of the Antithetical Views of the Mother in Black American Literature, Daryl Cumber Dance

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Following in Zora Neale Hurston's Dust Tracks: Autobiographical Notes by the Author of Shuckin' and Jivin', Daryl Cumber Dance

Submissions from 1978

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James Baldwin, Daryl Cumber Dance

Submissions from 1977

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In the Beginning: A New View of Black American Etiological Tales, Daryl Cumber Dance

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Tuning in the Boiler Room and the Cotton Patch: New Directions in the Study of Afro-American Folklore, Daryl Cumber Dance

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Wit and Humor in the Slave Narratives, Daryl Cumber Dance

Submissions from 1975

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Daddy May Bring Home Some Bread, but He Don't Cut No Ice: The Economic Plight of the Father Figure in Black American Literature, Daryl Cumber Dance

Submissions from 1974

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Contemporary Militant Black Humor, Daryl Cumber Dance

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You Can't Go Home Again: James Baldwin and the South, Daryl Cumber Dance

Submissions from 1970

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Sentimentalism in Dreiser's Heroines, Carrie and Jennie, Daryl Cumber Dance